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Review

NPR's Best Books of 2014Time Out New York Best Books of 2014Book Riot, 2014's Must-Read Books from Indie PressesSplit This Rock Recommended Poetry Books of 2014Vol. 1 Brooklyn, A Year of Favorites, Jason DiamondGreenlight Bookstore, Holiday Picks"In his debut collection, Jones has crafted a fever dream, something akin to magic. . . Solid from start to finish, possessing amazing energy and focus, a bold new voice in poetry has announced itself"―Publishers Weekly, Starred Review"Jones had a meteoric rise to literary prominence in the past year. . . . the poems of this book are harrowing and heartbreaking, treating family, sexuality, and race with unrelenting intensity."―Publishers Weekly"A debut poetry collection examining identity in all its forms―racial, sexual, geographical, and more―with both incisive intensity and tenderness."―Off the Shelf"Jones's lavish sonic patterning and gothic imagery often recall the incendiary mythos and immaculate craft of Sylvia Plath's Ariel as well as the haunted, sensual longing of Thomas James's Letters to a Stranger." ―Kenyon Review Online"[T]he way these poems address violence, life in the south, race, sexuality and relationships makes for an engrossing read best consumed in as few sittings as possible."―Time"This book leaves your body transformed in a way that poetry should." ―ElevenEleven"This is indeed a book seamed in smoke; it is a dance that invites you to admire the supple twist of its narrative spine; it is hard and glaring and brilliant as the anthracite that opens the collection: 'a voice mistook for stone, / jagged black fist.'" ―NPR Book Review"The features that distinguish his poems from prose ―brevity, symbolism, implication ― let him investigate the almost unsayable."―Los Angeles Times"This year's Stonewall-Gittings literature award goes to Saeed Jones's Prelude to Bruise (Coffee House), a punch-in-your-gut fusion of racial, sexual, and personal struggle and a National Book Critics Circle finalist."―Library Journal"Perhaps the readiest, most painfully assured debut of the decade."―Flavorwire"The poems in Prelude to Bruise enflame, with all flame's consequences of wounding and illumination . . . It's a story of the forces of destruction―the destruction of black bodies and black selves―built into America, and it surfaces in the lines of lust, violence, possession, and power." ―Rain Taxi"This book is so good it will give you night sweats."―Greenlight Bookstore"An astonishing poetry collection, furious, tender, and true." ―Tin House "Prelude to Bruise is a harrowing examination of masculinity and femininity as a 'brutal' performance."―Buzzfeed"Jones' sentences bristle with foreboding . . . Jones seems to be playing with the idea of the nature of man, of those who live closer in tune with the laws of nature than with those of humanityJones, like great poet-novelists, fills his book with beautiful sentences."―Electric Literature"Prelude to Bruise is an airtight collection of visceral and stunning poems."―Mosaic Magazine"Prelude to Bruise by Saeed Jones, a tome of searing poetry about what it means to be Black, gay, Southern and so much more"―Refinery 29"Prelude to Bruise Saeed Jones is a powerful collection . . . with a high level of craft, emotion and metaphor."―Ebony"Reading this book will change you."―Cambridge Writers' Workshop"Saeed Jones's first full-length book, Prelude to Bruise, is a necessary piece of contemporary poetry that bravely tackles issues such as abuse, promiscuity, homosexuality, and racism."―Prairie Schooner"Jones uncovers what exactly is at stake when one presents oneself authentically, when one insists on being oneself regardless of the consequences."―Coldfront"Prelude to Bruise was published by Coffee House in August to widespread (and deserved!) acclaim."―Electric Literature"It packs a wallop . . . I found myself in awe."―Raging Biblio-holism"I didn't exactly mean to survive myself,' writes the African-American poet Saeed Jones, and the line comes to my mind: what it means to have survived official policies designed to erase you, and the kind of impulse to self-destruction that might arise in the face of this."―The Monthly(Australia)"His work is imaginative and lyrical while maintaining a self-proclaimed ferocity, as if there could really be any other kind, that challenges conventions of masculinity and race in a deeply emotional way."―Dazed, "The top ten American writers you need to read this year""Maybe the best collection you will read this year, Jones is a poet who also understands how to tell a story, obviously keeping his feet planted in the former since poetry is his craft, but giving the reader so much more to unpack page after page. At times harrowing, Jones succeeds at never straying too far away from beauty and light, and that balance makes this a true reading experience."―Jason Diamond, Vol. 1 Brooklyn September Books Review"Saeed Jones may be one of the most necessary poets of our time." ―July Westhale, Lambda Literary"Prelude to Bruise is a book with a controlled realm of imagery, which creates this really beautiful territory for the reader to explore."―Ace Hotel"Beautiful, haunting and heartbreaking―Jones's poems are an emotional punch to the gut. A lyrical shock to the system."―Lambda Literary"It's a diverse festival, showcasing talents as different as the best-selling crime novelist Rebecca Chance and the politically engaged poet Saeed Jones."―The Times Picayune"[Saeed Jones] is leading the way and writing critically about the community," [Spectrum's president] Diaz said."―The Torch"What these poems show us is the necessity of owning that longing, the refusal to let the wounds the world has laid upon us turn inward, into our shame, our silence. To show the world the face that the world has made."―Muzzle Magazine"Saeed Jones brought the audience to a near swoon."―Twin Cities Daily Planet"Prelude to Bruise is an airtight collection of visceral and stunning poems."―Mosaic Magazine"I was bowled over by Saeed Jones's Prelude to Bruise (Coffee House Press, #16), a beautiful and biting collection of poetry that has been making waves in the US. Investigating race, sexuality and what it means to be southern, Jones's lean, searing lines transcend identity politics."―New Statesmen (UK)"Poetry book most likely to win over your poetry-avoiding friends: Prelude to Bruise by Saeed Jones"―Time Out New York,"The Best Books of 2013""Jones is responsible for a growing portion of the gay narrative being written online, and the Internet is a much better place for it. His voice will have even more impact with his upcoming debut, which will explore the collision of race, sexuality and identity."―The Root, "30 Viral Voices Under 30""For years now the Buzzfeed LGBT editor has been lighting it up at his day job, and also on Twitter, with a ferocity befitting his name. Now, after earning praise from D.A. Powell and after winning a NYC-based Literary Death Match bout, Jones will use his debut collection to prominently display his poetry chops."―The Millions"This powerful collection feels at times like a blow to the throat, but when we recover, the air is sweeter for having been absent."―Guernica"A work of insight and great beauty, Jones' first poetry collection manages to be both ferocious and and subtle."―Brooklyn Magazine"It's a book about identity that expands beyond the borders of the terms we use to cordon off safe spaces."―Dialogist"[A] stunning debut collection of one of America's most promising young poets. . . These poems lacerate as they heal, making us feel the resilient intensity of a protagonist who says, 'I didn't exactly mean to survive myself."―The Journal"Saeed Jones has created a radically different coming of age narrative distinctly his own through forceful, original poetry."―Lonesome Reader"[A] daring, ferocious, and often impossibly gorgeous meditation on boyhood and personhood, language and love."―Flavorwire, "10 New Must Reads for September""The first book of Saeed Jones's poetry, Prelude to Bruise, reads with astonishing momentum and tenacity, a lyrical torch thrust into shadows and silence to illuminate pain from a history of wounds." ―Shelf Awareness"Jones has a voice, and it is not plucky or regretful. It is not about being a 'man' ― it's more ambitious. This book is his credo, his aspiration. Convert or abstain, his 'hunger [does] not apologize.'"―Poets at Work"For their journey on this beautifully clear but sweltering Saturday afternoon, they were not disappointed, treated to over a dozen readings of vintage O'Hara poems, as well as new poems written by the likes of Saeed Jones, author of Prelude to Bruise and the editor of Buzzfeed LGBT" ―Huffington Post"You may know Saeed Jones as the Buzzfeed's Literary Editor, but you definitely should get to know him for his poetry as well."―Bustle"These poems are tightly constructed, scary-beautiful, and lyrically brilliant, driven by a raw and devastating emotional power. He awes me."―The Millions"Saeed Jones begins this electrifying book―one of the most exciting debut collections I've read in years―with a quotation from Kafka's notebooks: 'The man in ecstasy and the man drowning―both throw up their arms.' It's a powerful opening for these searing poems." ―Towleroad"In his first book of poetry, Jones blazes forth, his voice new, potent, lyrical, and deadly beautiful. Enveloping his words in the body, its politics, its genders and colors, the legacy of its trials and abuse, Jones sings truths from the perimeter, the disenfranchised, the ready to be heard."―Bookshop Santa Cruz"Riveting and heartening to read. . ."―The Dodge Blog, "2014 Featured Poet: Saeed Jones""Jones' haunting lyricism creates a portrait of hard-won self-realization, of a young man's determined struggle, pushing through doubt and distress with the strength of his imagination and verve." ―NBCC's Critical Mass"I had to stop trying to read Saeed Jones's debut, Prelude to Bruise, on the subway to avoid yelping with joy, weeping, or getting all hot and bothered in public."―Work in Progress"Prelude to Bruise is a thunderous title for a first collection. It promises that a bruise will come later. It says that, even when we feel like we're drowning, we can still be ecstatic."―The Brooklyn Rail"Heartrending, lyrical, and raw."―BuzzFeed"Ecstatic and haunting."―Brooklyn Magazine"This is the type of book that merits clichéd hyperbole: because it will actually 'leave you floored,' 'feeling naked' (together, that's almost a Natalie Imbruglia lyric!), and 'gasping for breath.'―Flavorwire"A radical standard of pain acknowledges the intersection between individual and collective histories of suffering. This radical standard is the thrust of works like . . . Saeed Jones' Prelude to Bruise, a collection of poems that narrates the wounds of a black gay boy in the American South."―Pacific Standard"Poems like 'Post Apocalyptic Heartbreak,' 'History According to Boy,' 'Prelude to Bruise,' and others will break your heart and force you to investigate and confront the unconscionable brutality of this nation."―MELO"A compelling collection."―Runestone"Saeed writes about blackness and gayness, fierce and thick and brave in every poem."―Medium"Damn near genius."―ShadeNPR's Best Books of 2014Time Out New York Best Books of 2014Book Riot, 2014's Must-Read Books from Indie PressesSplit This Rock Recommended Poetry Books of 2014Vol. 1 Brooklyn, A Year of Favorites, Jason DiamondGreenlight Bookstore, Holiday Picks "In his debut collection, Jones has crafted a fever dream, something akin to magic. . . . Solid from start to finish, possessing amazing energy and focus, a bold new voice in poetry has announced itself." ―Publishers Weekly, starred review "This is indeed a book seamed in smoke; it is a dance that invites you to admire the supple twist of its narrative spine; it is hard and glaring and brilliant as the anthracite that opens the collection: 'a voice mistook for stone, / jagged black fist.'" ―NPR Book Review "The features that distinguish his poems from prose― brevity, symbolism, implication ― let him investigate the almost unsayable."―Los Angeles Times "Jones had a meteoric rise to literary prominence in the past year. . . .The poems of this book are harrowing and heartbreaking, treating family, sexuality, and race with unrelenting intensity." ―Publishers Weekly "The way these poems address violence, life in the south, race, sexuality and relationships makes for an engrossing read best consumed in as few sittings as possible." ―Time "A debut poetry collection examining identity in all its forms—racial, sexual, geographical, and more—with both incisive intensity and tenderness." ―Off the Shelf "Saeed's Prelude to Bruise is a rigorous collection that challenges political, sexual and familial norms and bristles with pain. . . . No matter the subject, Jones's writing is silky smooth." ―The Washington Post "This is as purely transformative as poetry gets. Saeed leads us through discovery of self: racial and gendered, political and familial." ―PrideSource "Jones' 2014 poetry collection, offers a candid, refreshing view of the issues often faced within the LGBT community, including struggles with identity and masculinity."―America Magazine "Jones's lavish sonic patterning and gothic imagery often recall the incendiary mythos and immaculate craft of Sylvia Plath's Ariel as well as the haunted, sensual longing of Thomas James's Letters to a Stranger." ―Kenyon Review "This year's Stonewall-Gittings literature award goes to Saeed Jones's Prelude to Bruise (Coffee House), a punch-in-your-gut fusion of racial, sexual, and personal struggle and a National Book Critics Circle finalist." ―Library Journal "An astonishing poetry collection, furious, tender, and true." ―Tin House "Jones' poetry is evocative and rhythmic, at times tilting into a songlike cadence, and moves uneasily and strikingly between imagery of sex and violence." ―The Portland Mercury, "Sex, Death, and Prelude to Bruise" "Prelude to Bruise is a harrowing examination of masculinity and femininity as a 'brutal' performance." ―Buzzfeed "Reading this book will change you." ―Cambridge Writers' Workshop "Saeed Jones's first full-length book, Prelude to Bruise, is a necessary piece of contemporary poetry that bravely tackles issues such as abuse, promiscuity, homosexuality, and racism." ―Prairie Schooner "Jones' haunting lyricism creates a portrait of hard-won self-realization, of a young man's determined struggle, pushing through doubt and distress with the strength of his imagination and verve." ―NBCC's Critical Mass "Perhaps the readiest, most painfully assured debut of the decade." ―Flavorwire "This book leaves your body transformed in a way that poetry should." ―ElevenEleven "This is a beautiful, haunting, nearly perfect collection" ―Raging Biblio-holism "Prelude to Bruise by Saeed Jones, a tome of searing poetry about what it means to be Black, gay, Southern and so much more." ―Refinery 29 "A work of insight and great beauty, Jones' first poetry collection manages to be both ferocious and and subtle." ―Brooklyn Magazine "The poems in Prelude to Bruise enflame, with all flame's consequences of wounding and illumination. . . . It's a story of the forces of destruction―the destruction of black bodies and black selves―built into America, and it surfaces in lines of lust, violence, possession, and power." ―Rain Taxi "Prelude to Bruise Saeed Jones is a powerful collection . . . with a high level of craft, emotion and metaphor." ―Ebony "This would be an interesting collection to me even if I didn't understand English. There are moments of such lushness." ―Dive Deeper "Prelude to Bruise is an airtight collection of visceral and stunning poems." ―Mosaic Magazine "'I didn't exactly mean to survive myself,' writes the African-American poet Saeed Jones, and the line comes to my mind: what it means to have survived official policies designed to erase you, and the kind of impulse to self-destruction that might arise in the face of this." ―The Monthly (Australia) "Prelude to Bruise was published by Coffee House in August to widespread (and deserved!) acclaim." ―Electric Literature "Jones uncovers what exactly is at stake when one presents oneself authentically, when one insists on being oneself regardless of the consequences." ―Coldfront "A radical standard of pain acknowledges the intersection between individual and collective histories of suffering. This radical standard is the thrust of works like. . . . Saeed Jones' Prelude to Bruise, a collection of poems that narrates the wounds of a black gay boy in the American South." ―Pacific Standard "His work is imaginative and lyrical while maintaining a self-proclaimed ferocity, as if there could really be any other kind, that challenges conventions of masculinity and race in a deeply emotional way." ―Dazed, "The top ten American writers you need to read this year" "Maybe the best collection you will read this year, Jones is a poet who also understands how to tell a story, obviously keeping his feet planted in the former since poetry is his craft, but giving the reader so much more to unpack page after page. At times harrowing, Jones succeeds at never straying too far away from beauty and light, and that balance makes this a true reading experience." ―Jason Diamond, Vol. 1 Brooklyn "Saeed Jones brought the audience to a near swoon." ―Twin Cities Daily Planet "Prelude to Bruise is a book with a controlled realm of imagery, which creates this really beautiful territory for the reader to explore." ―Ace Hotel "Saeed Jones may be one of the most necessary poets of our time."―July Westhale, Lambda Literary "Beautiful, haunting and heartbreaking—Jones’s poems are an emotional punch to the gut. A lyrical shock to the system." ―Lambda Literary "What these poems show us is the necessity of owning that longing, the refusal to let the wounds the world has laid upon us turn inward, into our shame, our silence. To show the world the face that the world has made." ―Muzzle Magazine "It's a diverse festival, showcasing talents as different as the best-selling crime novelist Rebecca Chance and the politically engaged poet Saeed Jones." ―The Times Picayune "[Saeed Jones] is leading the way and writing critically about the community," [Spectrum's president] Diaz said." ―The Torch "Prelude to Bruise is an airtight collection of visceral and stunning poems." ―Mosaic Magazine "I packs a wallop . . . I found myself in awe." ―Raging Biblio-holism "I was bowled over by Saeed Jones’s Prelude to Bruise (Coffee House Press, #16), a beautiful and biting collection of poetry that has been making waves in the US. Investigating race, sexuality and what it means to be southern, Jones's lean, searing lines transcend identity politics." ―New Statesmen (UK) "Poetry book most likely to win over your poetry-avoiding friends: Prelude to Bruise by Saeed Jones." ―Time Out New York, "The Best Books of 2013" "Jones is responsible for a growing portion of the gay narrative being written online, and the Internet is a much better place for it. His voice will have even more impact with his upcoming debut, which will explore the collision of race, sexuality and identity." ―The Root, "30 Viral Voices Under 30" "For years now the BuzzfeedLGBT editor has been lighting it up at his day job, and also on Twitter, with a ferocity befitting his name. Now, after earning praise from D.A. Powell and after winning a NYC-based Literary Death Match bout, Jones will use his debut collection to prominently display his poetry chops." ―The Millions "This powerful collection feels at times like a blow to the throat, but when we recover, the air is sweeter for having been absent." ―Guernica "It's a book about identity that expands beyond the borders of the terms we use to cordon off safe spaces." ―Dialogist "[A] stunning debut collection of one of America's most promising young poets. . . . These poems lacerate as they heal, making us feel the resilient intensity of a protagonist who says, 'I didn’t exactly mean to survive myself.'" ―The Journal "Saeed Jones has created a radically different coming of age narrative distinctly his own through forceful, original poetry." ―Lonesome Reader "[A] daring, ferocious, and often impossibly gorgeous meditation on boyhood and personhood, language and love." ―Flavorwire, 10 New Must Reads for September "The first book of Saeed Jones's poetry, Prelude to Bruise, reads with astonishing momentum and tenacity, a lyrical torch thrust into shadows and silence to illuminate pain from a history of wounds." ―Shelf Awareness "Jones has a voice, and it is not plucky or regretful. It is not about being a 'man' - it's more ambitious. This book is his credo, his aspiration. Convert or abstain, his 'hunger [does] not apologize.'" ―Poets at Work "For their journey on this beautifully clear but sweltering Saturday afternoon, they were not disappointed, treated to over a dozen readings of vintage O'Hara poems, as well as new poems written by the likes of Saeed Jones, author of Prelude to Bruise and the editor of BuzzfeedLGBT."―Huffington Post "These poems are tightly constructed, scary-beautiful, and lyrically brilliant, driven by a raw and devastating emotional power. He awes me." ―The Millions "Saeed Jones begins this electrifying book—one of the most exciting debut collections I’ve read in years―with a quotation from Kafka's notebooks: 'The man in ecstasy and the man drowning―both throw up their arms.' It's a powerful opening for these searing poems." ―Towleroad "In his first book of poetry, Jones blazes forth, his voice new, potent, lyrical, and deadly beautiful. Enveloping his words in the body, its politics, its genders and colors, the legacy of its trials and abuse, Jones sings truths from the perimeter, the disenfranchised, the ready to be heard." ―Bookshop Santa Cruz "Today my writing ambition, my heart, and my mind are expanded by my peers who are writing the books I read with breathless anticipation and envy." ―Buzzfeed, "The Books Who Made Me Who I Am" "Riveting and heartening to read."―The Dodge Blog "This book is so good it will give you night sweats." ―Greenlight Bookstore "The collection seems to begin again frequently, and end too soon." ―Lenny Letters "I had to stop trying to read Saeed Jones’s debut, Prelude to Bruise, on the subway to avoid yelping with joy, weeping, or getting all hot and bothered in public." ―Work in Progress "Prelude to Bruise is a thunderous title for a first collection. It promises that a bruise will come later. It says that, even when we feel like we're drowning, we can still be ecstatic." ―The Brooklyn Rail "Heartrending, lyrical, and raw." ―BuzzFeed "Ecstatic and haunting." ―Brooklyn Magazine "This is the type of book that merits clichéd hyperbole: because it will actually 'leave you floored,' 'feeling naked' (together, that's almost a Natalie Imbruglia lyric!), and 'gasping for breath.'" ―Flavorwire "Poems like 'Post Apocalyptic Heartbreak,' 'History According to Boy,' 'Prelude to Bruise,' and others will break your heart and force you to investigate and confront the unconscionable brutality of this nation." ―MELO "A compelling collection." ―Runestone "Saeed writes about blackness and gayness, fierce and thick and brave in every poem." ―Medium "Damn near genius." ―Shade "Saeed Jones is one of the English department's most distinguished graduates."―WKU Herald

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About the Author

Saeed Jones is the author of the chapbook When the Only Light is Fire (2011, Sibling Rivalry Press). His work has appeared in Best Gay Stories 2013 , Guernica , Ebony Magazine , The Rumpus , Hayden's Ferry Review and West Branch among other publications. Jones received his MFA in Creative Writing at Rutgers University Newark and is the recipient of fellowships from Cave Canem and Queer / Arts / Mentors. He works as the editor of BuzzfeedLGBT and lives in Harlem.

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Product details

Paperback: 124 pages

Publisher: Coffee House Press; Edition Unstated edition (September 9, 2014)

Language: English

ISBN-10: 9781566893749

ISBN-13: 978-1566893749

ASIN: 1566893747

Product Dimensions:

5.8 x 0.2 x 8.2 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#337,690 in Books (See Top 100 in Books)

Gorgeous prose and fresh imagery!

Can only read so many of these at a sitting; they're that powerful. And in such simple, allegorical language.

I cried through much of this collection of poems. So beautiful yet painful. If this doesn't bring up a flood of emotions, check your pulse.

A gathering of poems that I will think about for a long time. Gay Black Southern Poetry. This book spoke intensely.

until i read it and discovered it's the kind of book that will always stay with me

Such an amazing collection of poems. I had to read it for my Arts in NY class, but do not regret it one bit. We also got to meet the author and he was such an amazing guy, full of honesty and inspiration. Definitely recommend this!

some of the poems are gems, special moments captured in searing language. Rough, beautiful, with the aura of truth about them.

Gorgeous, original work.

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Free Ebook The Elements of Knowledge OrganizationBy Richard Smiraglia

Free Ebook The Elements of Knowledge OrganizationBy Richard Smiraglia

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The Elements of Knowledge Organization is a unique and original work introducing the fundamental concepts related to the field of Knowledge Organization (KO). There is no other book like it currently available. The author begins the book with a comprehensive discussion of “knowledge” and its associated theories. He then presents a thorough discussion of the philosophical underpinnings of knowledge organization. The author walks the reader through the Knowledge Organization domain expanding the core topics of ontologies, taxonomies, classification, metadata, thesauri and domain analysis. The author also presents the compelling challenges associated with the organization of knowledge. This is the first book focused on the concepts and theories associated with KO domain. Prior to this book, individuals wishing to study Knowledge Organization in its broadest sense would generally collocate their own resources, navigating the various methods and models and perhaps inadvertently excluding relevant materials. This text cohesively links key and related KO material and provides a deeper understanding of the domain in its broadest sense and with enough detail to truly investigate its many facets. This book will be useful to both graduate and undergraduate students in the computer science and information science domains both as a text and as a reference book. It will also be valuable to researchers and practitioners in the industry who are working on website development, database administration, data mining, data warehousing and data for search engines. The book is also beneficial to anyone interested in the concepts and theories associated with the organization of knowledge. Dr. Richard P. Smiraglia is a world-renowned author who is well published in the Knowledge Organization domain. Dr. Smiraglia is editor-in-chief of the journal Knowledge Organization, published by Ergon-Verlag of Würzburg. He is a professor and member of the Information Organization Research Group at the School of Information Studies at University of Wisconsin Milwaukee.

• Sales Rank: #2734990 in Books
• Published on: 2014-09-03
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .31" w x 6.14" l, .65 pounds
• Binding: Hardcover
• 101 pages

The Elements of Knowledge OrganizationBy Richard Smiraglia PDF
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Ebook Free The Pronouncing Dictionary of Plant NamesBy American Nurseryman Publishing Company

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The Pronouncing Dictionary of Plant NamesBy American Nurseryman Publishing Company

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From the American Nurseryman Publishing Company. Do Latin plant names leave you tongue-tied? Put the power of perfect pronunciation in your back pocket with our newly revised guide. More than 500,000 copies of this little dictionary have been sold since its first edition! The new edition features 300 additional plant names, bringing the total number of names to more than 3,000. We've also made the type size bigger and we've incorporated a new, easier to-understand system of phonetic spelling. All entries include a brief description of the plant name origin, meaning, plant category or common name equivalent.

• Sales Rank: #368778 in Books
• Published on: 2006-01
• Number of items: 1
• Binding: Paperback
• 93 pages

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Free PDF LAST-MINUTE BRIDEGROOM (Harlequin comics)By Linda Miles

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LAST-MINUTE BRIDEGROOM (Harlequin comics)By Linda Miles

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Tasha has been dumped by her fiancé. She rushes to her family home, hoping for some wisdom and comfort from her gentle father; instead she finds Chase, her nasty cousin. If she tells him her engagement has been broken off, he will obviously try to hurt her more, since the only things that come out of his demon lips are sneers and sarcasm. But Tasha gives in and cries about the troubles of canceling the wedding. Chase then gives her a warm smile and offers to be the replacement groom. After being swept away by a gentle kiss, Tasha begins to desire to be with Chase for real, and before they know it their secret relationship begins to blossom!

• Sales Rank: #915225 in eBooks
• Published on: 2015-11-22
• Released on: 2015-11-22
• Format: Kindle eBook

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Free Ebook The Way of Four Spellbook: Working Magic with the ElementsBy Deborah Lipp

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The Way of Four Spellbook: Working Magic with the ElementsBy Deborah Lipp

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Popular Wiccan author and priestess Deborah Lipp is back with The Way of Four Spellbook, the companion edition to her successful elemental witchcraft book, The Way of Four.

This knowledgeable guide presents never before explored magical material, such as combining elemental work with elemental purpose in a structured spell. Many different magical methods and styles are covered, including spell structures that are closely aligned with each element―handwritten spells for Air magic, soaking and bathing spells for Water magic, sex magic for the element of Fire, and burial and planting magic for Earth spells.

In her friendly and forthright way, Deborah Lipp gives detailed information on the essence of a spell, including the meaning of intention, the difference between target and goal, the use of interconnection, sources of power, magical focus, and much more.

• Sales Rank: #1085664 in eBooks
• Published on: 2006-04-08
• Released on: 2006-04-08
• Format: Kindle eBook

From Publishers Weekly
My apartment is clean. My apartment is clean. My apartment is clean.... So mote it be!" Who knew that a traditional elementary school punishment such as writing lines was really an "Air Spell" in disguise? Readers will find such tidbits galore in this hands-on spell book, a follow-up companion to Lipp's earlier The Way of Four. Both volumes use the four elements—air, fire, water, earth—as the primary foundations for beginning spell casters to learn and practice their art. A high priestess in the Gardnerian Wiccan tradition, Lipp likens this elementary spell book to a "cookbook," and indeed, readers will find spells structured like recipes, with lists of "needed tools" replacing ingredients sections and clear sets of instructions for whipping up each spell. Lipp's prose style is easy to follow, though so casual as to be almost annoying at points. While the book includes many essentials commonly found across the vast array of available spell books, it also offers less typical guidance, such as a helpful warning against practicing spells while pregnant. As well, readers are sure to enjoy some of the more unusually pleasurable spells, including a wonderful-sounding bath spell to alleviate writer's block; cookie spells; sex spells; and many others. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Deborah Lipp was initiated into a traditional Gardnerian coven of Witches in 1981, became a High Priestess in 1986, and has been teaching Wicca and running Pagan circles ever since. She has appeared in various media discussing Wicca, including the A&E documentary Ancient Mysteries: Witchcraft in America, on MSNBC, in The New York Times, and in many smaller TV and print sources.

Deborah has been published in many Pagan publications, including The Llewellyn Magical Almanac, Pangaia, Green Egg, The Druid's Progress, Converging Paths, and The Hidden Path, as well as Mothering Magazine. She has lectured at numerous Pagan festivals on a variety of topics.

Deborah is a technical writer with a variety of skills. She lives in Rockland County, NY, with her son, Arthur, who tap dances, and two cats. Deborah reads and teaches Tarot, designs wire-and-bead jewelry, solves and designs puzzles, watches old movies, hand-paints furniture, and dabbles in numerous handcrafts.

Excerpt. © Reprinted by permission. All rights reserved.
CHAPTER ONE

What Are the Elements?

In much of Western occultism, including Paganism and Wicca, the four elements of Air, Fire, Water, and Earth describe the universe and everything in it.

Everything can be understood as taking part in one or more element. Everything that is whole contains all four, and can be understood more deeply by dividing it into four, and viewing it through that lens. The elements are the building blocks of creation; they are the beginning of things. The undifferentiated void that preceded creation had no elements; or, to put it another way, all elements were One. But creation-things, reality-consists of the elements.

From a scientific point of view, the periodic table of the elements describes the building blocks of the universe, and the modern magician doesn't reject science. But from a magical point of view, both simplicity and symbolism call for only four elements.
The four elements give us a way of thinking about the world. They give us a structured approach to knowing the unknowable. They provide us with a system of interrelations; and magic is all about interrelations. Have you ever heard of "sympathetic magic"? If you've heard of a Voodoo doll or poppet, you have. Sympathetic magic means that something that is like a thing (has sympathy with a thing) is the thing. A doll is like the person it represents; therefore it is that person. That's interrelationship-sympathy. A doll is an obvious, direct representation, like drawing a picture. Other sympathetic objects are parts of the original.

The well-known stereotype of Witches using fingernail clippings in a spell is an example of sympathetic magic; the part (the clippings) has sympathy with the whole (the person). There are all manner of direct and indirect sympathies that interconnect us. Elemental things have an indirect sympathy with each other. A candle is not the same as a lion, but both represent Fire and therefore have sympathy with each other. These interrelationships add to our understanding of the universe around us.

The Qualities of the Elements

Air

In the natural world, Air is associated most closely with the sky, wind, and clouds. Mountain peaks, which seem to touch the sky, are also Air. Birds of all kinds belong to this element, and hawks and eagles are especially associated with Air, because they fly so very high and make their nests at such high altitudes. A stork or duck, by contrast, is a less powerful symbol of Air, because, although these birds fly, they live in and near the water.

In a person, Air is associated with thought and with the intellect, corresponding in the Witches' Pyramid to "To Know."1 Ideas are said to come from Air, as is inspiration, a word that also means "to breathe in." Logic and scholarship are Air functions, which is perhaps why academics are said to live in ivory towers as opposed to ivory basements. People who spend all their time thinking "have their heads in the clouds," and if they are "airheads," they mistake imagination for real life and are impractical (because practicality is an Earth quality, which they lack).

The direction of Air is the east, and since the sun rises in the east, Air is associated with the morning, with the spring (the beginning of the agricultural and astrological year), and with beginnings of all kinds. Anything that "dawns" is a thing of Air. The things in our lives that dawn, be they projects, creations, or careers, begin with an idea. Often inspiration feels like the sunrise, a bright beginning full of promise and possibility. Since seeds are beginnings and are associated with the spring, seeds, too, belong to Air.

Air's gender is male. Don't think of this as "men," but rather, as yang, or outward-moving, in terms of magical energy. Throughout this book, I will refer to Air creatures and people as male when a singular pronoun is needed, just to use good grammar, although obviously Air people are both male and female.

For magic, we need to look at Air's symbolic associations. Its colors are sky colors-white and sky blue-although some systems assign yellow to Air. The magical entity of Air is known as a sylph. The astrological Air signs are Gemini, Libra, and Aquarius. The Tarot suit of Air is Swords, although there is an interesting story behind this correspondence.

In 1910, Arthur Edward Waite published his book The Pictorial Key to the Tarot and his "Rider-Waite" Tarot deck. Waite was a Kabbalist and a member of the Golden Dawn magical lodge. His was the first deck to give all seventy-eight cards unique illustrations, and the first to draw associations between the Tarot and the Kabbalah. The Rider-Waite deck became the most popular and influential Tarot ever created, and its influences are seen in the vast majority of decks available today.

However, Waite's membership in the Golden Dawn included an oath of secrecy, so he hesitated to reveal too much in his deck or accompanying book. He decided to switch two of the elemental correspondences in order to preserve his oath. He couldn't very well change the association of Cups to Water, since that's a pretty obvious one, and Pentacles are mostly depicted as coin-and again the association between money and Earth is straightforward and obvious. But Swords and Wands are abstract tools, that were not in common usage at the turn of the last century. The Golden Dawn associated Air with Wands and Fire with Swords, so Waite reversed these two and filled his deck with Fiery Wands and Airy Swords.

If you're a Tarot reader who has used Waite's deck or a Waite-derived deck, it's hard to break the mental pictures of Air/Sword and Fire/Wand. Every Wand in Waite's deck has little flames, salamanders, and orange colors, and every Sword has prominent clouds, sylphs, and a lot of light blue. Perhaps because most Witches read the Tarot, most associate the sword, or athame,2 with Air.

On the other hand, the original association used by the Golden Dawn and others makes a good deal of sense. The Sword is the stronger and more destructive tool, and Fire is more destructive than Air. The Wand is the tool of the intellectual magician, but the Sword is the tool of the willful warrior (Fire is associated with will). Once you get to know the tools, it's hard to escape the conclusion that a person wielding a Sword means business (has will), but a person holding a Wand might still be just thinking it over.

Other magical tools that are associated with Air are incense, feathers, bells, rattles, and fans.

Fire

In nature, Fire is itself, first and foremost. Fire has always been set apart from the other elements, because Fire alone has no natural home on the earth; Air has the sky, Water the sea, and Earth the land, but only Fire stands apart from geography. In nature, Fire is the outsider; it is out of control, and it conforms to no known rules.

The places Fire is most connected to are the desert and volcanoes. The Fiery animals, lions and tigers, are distinguished by their fiery color and disposition.

Salamanders are also associated with Fire, both because of their bright-orange color and because of the way that licks and curls of a fire can come to resemble salamanders (which is how the magical being of Fire got its name). Other lizards, such as iguanas and Gila monsters, are also Fiery. Other natural things associated with fire either burn-like chiles and cumin, or are red or (especially) orange-colored-like fire opals. Fire is male and outward-focused.

The personal quality of Fire is will, and in the Witches' Pyramid, Fire is "To Will." Willfulness burns hot, and the will to get things done is a spark that ignites. Temper is also associated with Fire; a fiery person is a "hothead," and lust is Fiery-you burn with desire. All of these things are closely associated with the life force itself, the spark within that fills us with life. For that reason, healing is a thing of fire; a person who is losing his spark needs Fire magic to reignite him.

Fire resides in the south. It is associated with noon, the hottest and brightest time of day, and summer, the hottest and brightest time of year. In terms of endeavors, just as beginnings and ideas are Air, things that are "on fire" are Fire. As Air is the seed, Fire is the sprout, emerging. Fire takes the original seed and gets it going,  gives it force. Lots of creativity gets stuck in Air; it needs an application of Fiery will to turn on the power.

Fire can be a transformative force; in fire, the old is burned away and what comes out is utterly different. Transformation by fire is sudden and total: the blacksmith transforms iron ore into steel, raw meat becomes a delicious meal, and logs become embers, all by using fire.

In occult symbolism, Fire is orange, red, and sometimes yellow. As already mentioned, its magical entity is the salamander. Fire signs of the Zodiac are Aries, Leo (another lion association), and Sagittarius. As just discussed in the section on Air, the tool and Tarot suit of Fire can be either Swords or Wands (I use Swords).

The representative of Fire on a Wiccan altar is one of those things that people like to debate. The obvious choice is a candle, or perhaps an oil lamp. A flame on the altar is a pretty intuitive way to represent Fire-can't argue with that! Others (including me) prefer to use burning incense to represent both Fire and Air.

In a typical Wiccan ritual, the female (yin) elements Earth and Water are combined, and the saltwater is used to represent them both. So I think it makes sense, and is more balanced, to represent the two male (yang) elements by combining them as well. So, the incense (Air) is put onto the censor (Fire) to make smoke (Air) rising from a burning ember (Fire)-an elegant arrangement.

Water

There are myriad natural forms of water, including not just the sea but every body of water from a little creek to the Great Lakes. Water is also found in our bodies: in the clichéd "blood, sweat, and tears," in mother's milk, and, perhaps most importantly, in amniotic fluid. Just as life first evolved in the sea, the fetus swims in saltwater as it "evolves" and develops. Since all bodies of water have tides, the moon is also associated with water, and many lunar qualities are also Water qualities.

Sea creatures, both plant and animal, are connected to Water. Fish, eels, shells, coral, seaweed, sponges, and driftwood all partake of this element. Dolphins and whales are the creatures most commonly associated with Water, although I suspect this has more to do with our affection for them than with any natural or symbolic imperative.

The personal quality of Water is feeling. Emotion flows, following its own path, which may meander. Emotion runs deep, with mysteries not visible on the surface. Emotions can be like sunken treasure, hiding secrets at the bottom of the waters of memory or the subconscious. Emotionality and mood swings are, of course, associated with the moon, as are secrets-those things that are just barely visible, lit by moonlight and not exposed to the sun. In the Tarot, the Moon card is full of watery images, such as crustaceans crawling out of the water, and the card's meaning is rooted in secrets, mysteries, and hidden knowledge. Water is female, and looks within.

The moon and Water are the menstrual cycle, and Water is childbirth as well, making Water perhaps the most feminine of elements. Since moon phases are cyclic, ending where they begin and beginning where they end, it makes sense that Water is also associated with death, and it's not surprising that many people's folklore depicts death as a passage over water (for example, crossing the River Styx). To make the cycle complete, Hindus refer to rebirth as an ocean.

All of these things-the moon, feeling, depth, birth-death-rebirth, and mystery-combine to associate Water with dreams and the subconscious, and from there to altered states in general-trance, vision, and transformation coming from these things. (Note that the slow, dreamy transformation of Water is different from the sudden, shapeshifting Fire transformation.) Transformation by Water is visionary and may take the quality of a journey, which is probably why the Hero's Journey in the Tarot generally begins with a passage over water.

Watery people are weepy and overflowing with feeling. They are dramatic, sensual, and otherworldly. They can be draining to be around-wet rags. They can also be the opposite-joyful and full of love; their cup runneth over. The generosity of Water flows forth abundantly; people in love feel love toward everyone, and Water is love.

Water's direction is west. Sunset in the west is associated also with death, with the end of things, and with transition. Twilight is an in-between and mysterious time, as is autumn. Neither seed nor sprout, Water is the sap flowing through flora, just as blood flows through fauna.

In our creative/becoming process, we used Air to gain inspiration and Fire to provide the get-up-and-go. Now we need to let creativity flow through us. If you've ever written or played music or painted, you know there's a time to let go and let it happen. That's the Water time. Intuition has to play a part in any endeavor, and a "go with the flow" attitude has to allow us to take advantage of opportunities we never could have predicted in advance. Because this is daring, in the way that closing your eyes and letting yourself fall is daring, Water corresponds in the Witches' Pyramid to "To Dare."

For magical symbolism, Water has ocean and lunar colors-deep blue, sea green, and silver. In Western occultism, green is the color most typically used. The magical undine is Water's entity. Water signs are Cancer, Scorpio, and Pisces (Cancer's crab and Scorpio's scorpion both appear on the Moon card in the Tarot). The magical tool of Water is the cup, which is the Holy Grail. On a Wiccan altar, Water is always represented by a simple dish of water-some people add a seashell, generally a conch. A conch can even double as a water dish.

Earth

Finally, we reach Earth. In nature, well, Earth is nature. Earth is the substance of the body of our Mother, Gaia, the Earth Herself. Earth is manifest in all things that are solid, or fertile, or both, including rocks, green fields, rolling hills, and soil. Caves and other buried places are quintessentially Earthy. Most people consider the bear the animal of Earth, although pigs, boar, and cattle also belong to this element. Bulls are an important Earth symbol, both because of their Earthy nature and because they are associated with the astrological sign Taurus. So, astrologically, goats are Earth as well, since they are associated with Capricorn. Also, humans drink milk from both cows and goats. Although all beverages are associated with Water, if one was to choose an Earth beverage, it would surely be milk.

A human being's Earth is her body. From Earth comes solidity, stability, and commitment. We call Earth our home, both the home of all life that is Mother Earth, and the house or apartment we live in. By extension, Earth is hearth and family and all those qualities that make us feel "at home." To be an earthy person is to be pragmatic, realistic, and tactile. Good Earth qualities in a person make her "the salt of the earth," but an excess of negative Earth qualities make her a "stick-in-the-mud." Earth is that deep, solid, immobile place, both in the negative sense of stubborn and in the positive sense of patient. The Witches' Pyramid describes this quality in the attribute "To Be Silent."

Earth is located in the north and is associated with midnight-because north is opposite the noon of south and because subterranean places are dark. Winter is in the north-the coldness of midnight, the coldness of deep soil, and the stillness and silence of waiting for spring. To be solid is to be patient and to hold still. Contrarily, Earth is also fertility-pregnancy, fruit, the physical manifestation of our labors. In endeavors, Earth is completion-the finished project-the thing that results. Earth is female and inward-focused.

The colors of Earth are brown and black for soil, and deep green for fertility. Gnomes are the magical creatures said to inhabit the earth, and the Zodiac signs associated with Earth are Taurus, Virgo, and Capricorn. The Tarot suit of Earth is Pentacles or Disks, which represent money, that most physical of possessions (since it provides all other physical possessions). Wealth and buried treasure are things of Earth. The elemental tool of Earth also is the Pentacle, which, in Wicca, is a disk or plate with a pentagram inscribed on it. (Some traditions inscribe other symbols as well.) Since a plate also holds food and since food is also of Earth (the physical product that is the outcome of farming; the sustenance of the body), the pentacle is a doubly good symbol (triply good, really, since the pentagram on it represents wholeness).

The representation of Earth on a magical altar is usually salt. Salt is considered an exceptionally magical symbol. It was once used as money, and is also used as a food preservative-preserving the body through winter and driving away harm.

Air-Fire-Water-Earth

By now you've noticed how the four elements combine to make cycles, like circling the compass (east-south-west-north), or the seasons, or the time of day. They can make abstract cycles, like the cycle of an endeavor or creation that we described in this chapter: idea, then empowerment, then intuition, then manifestation/outcome. A romance, too, can begin with an idea-an observation, a crush, a hope. Next comes Fiery lust, then Watery love, and finally Earthy commitment. In Paganism, we know that every cycle ends at the beginning: midnight is followed by dawn, winter is followed by spring, and the manifestation of a creative process gives birth to the inspiration for the next process.

Is There a Fifth Element?

The Hindus have five elements-Air, Fire, Water, Earth, and Spirit (akasha). Most Western occultists (Wiccans, Neopagans, magicians) go along with this view. In fact, the pentagram-the major symbol of Paganism and Witchcraft-is said to represent the five elements. According to this view, each of the points of the pentagram represents one of the elements, with Spirit on top (figure 1).

I was taught that Wiccans place Spirit on top of the pentagram, while Satanists place Spirit on the bottom of their inverted pentagram. The idea is that Spirit is either above or below matter. For me, as a Wiccan, I see a contradiction between a religion focused on the Earth Mother, and a mystical separation of Spirit from matter-and how can either be above the other without them being forever separate? In a religion that venerates the earth as a Goddess, sacred spirit is inseparable from sacred matter.

Instead of looking at the four elements as being apart from Spirit, I chose to look to my own rituals to find a more meaningful philosophy.

A Wiccan circle is set up with a candle or torch at each of the cardinal points (east, south, west, and north), representing the elements, around the perimeter. Traditions vary as to where the altar is placed, but I was taught to place it in the center. I began to see the mystical value of the altar's placement: the ritual is a "squared circle" (figure 2), marked at the quarters, and the altar is the meeting point of the elemental points.

The mystical sigil that depicts a magic circle, then, is the squared circle-not the pentagram (which has mystical significance in its own right). At the center of the circle is the altar, drawing exactly balanced energies from each of the four quarters. What's on the altar? Why, the altar is where the representations of the gods, the idols, are placed. Doesn't that make the altar the place of Spirit?

The answer that I discovered, what I now believe and what I teach, is this: Spirit is what happens when all four elements meet and combine. Spirit is the quintessence, the "fifth essence," the original elemental whole from which the other elements emerged. Elementals have only their individual qualities. For example, Gnomes will only be Earth, and are incapable of acting in any way but an Earthy way; they won't feel or be willful. And Salamanders will only and forever be Fire; we cannot ask them to be stable or exercise self-control. But people, and other beings with Spirit, have the capacities of all four elements, and the freedom to grow and explore in any direction.

Squaring the circle also represents wholeness, balance. Just as nature is balanced, every person should be balanced in the elements-neither an airhead nor a stick-in-the mud, not a hothead or a sob sister. Rituals should represent that balance, and ideas, projects, and theories that don't reflect wholeness are probably missing the boat.

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The Way of Four Spellbook: Working Magic with the ElementsBy Deborah Lipp PDF

The Way of Four Spellbook: Working Magic with the ElementsBy Deborah Lipp PDF

The Way of Four Spellbook: Working Magic with the ElementsBy Deborah Lipp PDF

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Free Download Loving Justice (LifeBuilder Bible Study)By Bob Hunter, Carol Hunter, Scripture Union

Free Download Loving Justice (LifeBuilder Bible Study)By Bob Hunter, Carol Hunter, Scripture Union

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Loving Justice (LifeBuilder Bible Study)By Bob Hunter, Carol Hunter, Scripture Union

Free Download Loving Justice (LifeBuilder Bible Study)By Bob Hunter, Carol Hunter, Scripture Union

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• Published on: 1992-04
• Format: Import
• Original language: English
• Number of items: 1
• Binding: Paperback
• 59 pages

Loving Justice (LifeBuilder Bible Study)By Bob Hunter, Carol Hunter, Scripture Union PDF
Loving Justice (LifeBuilder Bible Study)By Bob Hunter, Carol Hunter, Scripture Union EPub
Loving Justice (LifeBuilder Bible Study)By Bob Hunter, Carol Hunter, Scripture Union Doc
Loving Justice (LifeBuilder Bible Study)By Bob Hunter, Carol Hunter, Scripture Union iBooks
Loving Justice (LifeBuilder Bible Study)By Bob Hunter, Carol Hunter, Scripture Union rtf
Loving Justice (LifeBuilder Bible Study)By Bob Hunter, Carol Hunter, Scripture Union Mobipocket
Loving Justice (LifeBuilder Bible Study)By Bob Hunter, Carol Hunter, Scripture Union Kindle

Loving Justice (LifeBuilder Bible Study)By Bob Hunter, Carol Hunter, Scripture Union PDF

Loving Justice (LifeBuilder Bible Study)By Bob Hunter, Carol Hunter, Scripture Union PDF

Loving Justice (LifeBuilder Bible Study)By Bob Hunter, Carol Hunter, Scripture Union PDF

Loving Justice (LifeBuilder Bible Study)By Bob Hunter, Carol Hunter, Scripture Union PDF

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